The course traces the evolution of the various types of clothing in use from ancient times through the Renaissance and focuses, besides on the stylistic peculiarities of each era, on the specific uses to which wool, leathers and silk were put and the significance acquired by each material over history.

The two-year course offers complete training, structured in quarters, aimed at acquiring sartorial professionalism for measuring up to and communicating with the various professional figures of the performing arts and live shows.

The course traces the evolution of the various types of clothing in use from ancient times through the Renaissance and focuses, besides on the stylistic peculiarities of each era, on the specific uses to which wool, leathers and silk were put and the significance acquired by each material over history.

Individual module of "Historical Tailoring, Costume and Performing". The course aim is to illustrate not only the ways in which a decorative theme which has characterised textile production through the ages – that is, flowers and plant motifs – has assumed different meanings in different historical eras but also how taste and the idea of ‘fashion’ have evolved through the centuries. A vast iconographic repertoire of slides is projected, church vestments and paraments and textile fragments from the Fondazione Lisio historic archives are presented.

The two-year course offers complete training, structured in quarters, aimed at acquiring sartorial professionalism for measuring up to and communicating with the various professional figures of the performing arts and live shows.

Nell’ambito delle manifestazioni relative ai 500 anni dalla nascita di Giovan Battista Moroni, organizza la prima Summer School di sartoria storica: «La dama in rosso». Il corso rilascia attestazione di competenze da parte di Agenzia formativa accreditata presso la Regione Lombardia.

Individual module of "Historical Tailoring, Costume and Performing". The course aim is to illustrate not only the ways in which a decorative theme which has characterised textile production through the ages – that is, flowers and plant motifs – has assumed different meanings in different historical eras but also how taste and the idea of ‘fashion’ have evolved through the centuries. A vast iconographic repertoire of slides is projected, church vestments and paraments and textile fragments from the Fondazione Lisio historic archives are presented.