Articles
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A textile monument created for Augustus the Strong, the “Sun King of Saxony”, returns to the Dresden Royal Palace (Residenzschloss)
Sabine Schneider
10€
Technical aspects for the reconstruction of a hand-woven silk velvet and cloth of gold
Eva Basile
A ‘Lion’ in Legnano. A Rare Example of a Lisio Fabric at the Palio
Alessio Francesco Palmieri-Marinoni
The ‘Leoni’ Velvet
Paola Marabelli
Conserving the Ephemeral. Restoration of a 19th-Century Theatrical Crown
Lucia Miazzo
Orientalism and Fashion in the Empire Period: an embroidered scarf from Genoa’s Textile Collections
Loredana Pessa e Claudia Santamaria
Eighteenth-Century Sicilian Fans. The Duke of Cesarò’s Unpublished Inventory of 1740
Elvira D'Amico
Teaching Activities at the Opificio delle Pietre Dure: Restoration of Three Fondazione Arte della Seta Lisio Fabrics on Cardboard Backings
Sara Bonadio, Elena Gualandris, Jasmine Sartor, Elisa Zonta
A Life Woven of Multicoloured Threads: Angela Giordano’s Fifty Years of Successes
Sofia Brezzi
‘Young Artists/Artisans in Their Own Words’
Lisa Fontana
La Fondazione Lisio
Fidalma Lisio
La seta «dei grifoni araldici»
Laura D'Adamo
I tessili dell’avvenire
Aurora Fiorentini
Dall’utile al dilettevole. Abiti da lavoro divenuti capi di moda
Roberto Bonito Fanelli
Falsi merletti della fine del secolo XVIII
Thessy Schoenholzer Nichols
Costumi teatrali progettati all’Istituto Statale d’Arte “G. Chierici” di Reggio Emilia
Un corso nuovo per una professione nuova
Thessy Schoenholzer Nichols
Tessuti tinti a riserva dell’Egitto romano e bizantino
Roberta Cortopassi
La tessitura a Bolandu e a Shahr-i Sokhta: il presente e il passato dell’Iran
Francesca Gandolfo
Un damasco mediceo
Mary Westerman Bulgarella
Oggetti siciliani lavorati a maglia del periodo neoclassico
Elvira D’Amico
Mario Puliti e il laboratorio di tessitura dell’Istituto Statale d’Arte di Firenze
Annarita Caputo
Buratti frangiati bianco-rossi nei corredi della Carnia
Maria Mansi
Dal tessuto di moda al pamento liturgico
Carla Cavelli Traverso
Fatti di politica e di moda nel “Giornale dei sarti” e nel “Corriere delle dame”
Stefano Franzo
Conferenza alle ex alunne del Sacro Cuore
Fidalma Lisio
Melchion Briosco ricamatore milanese
Bice Diana Montalto
Il bisso marino: alla ricerca di un materiale perduto
Felicitas Maeder e Marcel Halbeisen
La collaborazione di Elda Cecchele con Salvatore Ferragamo 1954-1956
Irina Inguanotto
The last known industrial village: the Lisio silkmill at Ponte Ema
Cristiana Torti
Il simulacro della Madonna di Cireggio (Verbania)
Laboratorio di Restauro Tessili Antichi dell’Abbazia Benedettina “Mater Ecclesiæ” dell’Isola San Giulio a Orta
La Contrada Sovrana dell’Istrice e l’Arte della Seta Lisio. Una collaborazione dal 1927
Paola Marabelli
Vite parallele. Attiliana Argentieri tra storia e Fiber-art
Pierfrancesco Busetto
Pittura e cesello ad ago. Antiche arti eternamente nuove
Cristian Minuti
Embroideries from the Land of Roses. Bulgarian Fabrics and Embroideries in a Private Collection in Genoa
Maria Daniela Lungh
The ‘Mediceo’ Velvet
Paola Marabelli
‘Medicea’ – A Dress for Fondazione Lisio
Sara Paci Piccolo
Pack Your Trunks – We’re Off!
Simona Lombardi e Lucetta Lucarelli
"Textiles in Literature" - Sailcloth on Board the Florence
Anna Maria Colombo
‘Implosive’ and ‘Explosive’ Models for an Analysis of the Work of Anita Pittoni. Part II. The ‘Explosive’ Models, a Rereading of the Futurist and Constructivist Influences in the Work of Anita Pittoni
Paola Giuntoli
Flemish-Iberian Weaving. 15th- and 16th-Century Painted Velvets in Sardinia, the Iberian Peninsula and Flanders
Clara Carta
An Elegant 19th-Century Chapel and its Textiles
Anna Maria Colombo
Solace: Devotional Images in Oleographic Print Fabrics
Simona Lombardi
A World on Their Shoulders . . . and Heads!
Simona Lombardi
Maria Lai. Interweavings of Threads and Stories
Ilenia Vecchio
‘In the Artist’s Words’ - ‘Emotional’ Sculptures in Felt
Sanja Spasic
The 1831 Canuts Revolt in Lyon. The Art of Silk Weaving, the Workers’ Movement and Representation of Labour
Sandro Scarrocchia
The Robes of the Unknown Confraternity of the Madonna of the Rosary of the Church of Santa Caterina in Palermo
Elvira D’Amico
‘Implosive’ and ‘Explosive’ Models for an Analysis of the Work of Anita Pittoni. Part I. The ‘Implosive’ Models
Paola Giuntoli
Conversation on San Giulio Island – Lake Orta: Miao Textiles and Clothing
Flavia Fiori
The Annunciation: Iconography of a ‘Succo d’Erba’
Simona Lombardi
Mauro Molinari. Orditi & Trame. Warps & Wefts in ‘Paper Fabrics’
Paola Marabelli
The Textile Section of the Museum of Commodities Sciences of the La Sapienza University of Rome
Malgorzata Biniecka, Patrizia Falconi, Raffaella Preti
The Tapestries for the XI Milan Triennale (1957). The Best Years of the Manufactory of Esino Lario
Maria Taboga
Study and Restoration of the Wig of a ‘Dressed Mannequin’
Giusy Cusimano
Disciplina tua, ipsa me docebit. The Compagnia di San Benedetto Bianco in Florence
Simona Lombardi
Through Others’ Eyes. When Fashion Turns Ridiculous
Anna Maria Colombo
Ties by Arte della Seta Lisio
Paola Marabelli
Benozzo Gozzoli and Florentine Silk Production in the Second Half of the Fifteenth Century
Cristina Borgioli
Lyon-Florence. Silk Production by the ‘Manufacture Peyron’ for the Royal Court at Palazzo Pitti
Gioele Tinnirello
The Opulent Mantle Donated by the People of Valtellina to the Madonna of Tirano
Gianluigi Garbellini
Painting and Chasing with Needle and Thread. Ancient arts, eternally new
Cristian Minuti
The Art of Embroidery at the Service of the Virgin Mary
M. Anna Maria Cànopi osb
On writing: the penwiper, an everyday object
Simona Lombardi e Lucetta Lucarell
TessArt’è: Two Years of Intense, Absorbing Work. The project, the training course and the itinerant exhibition
Erika D’Arcangelo
Marjolein Dallinga’s Sculptures in Felt. The Museo del Tessuto di Prato celebrates contemporary art
Ilenia Vecchio
Weaving Words. A new artwork by Silvia Beccaria
Camilla Merletti e Anna Maria Colombo
Research goes on. Experimenting with forms, colours and pleasure
Maria Luisa Malerba
Archaeological textiles: knowledge and knowhow. An ethnographic exploration of a high-density nano world
Flavia Carraro
The striped fabric of Jacopone da Todi: cloth of the Devil or cloth of Christ?
Luciano Ghersi
The Our Lady of Sorrows in the Cathedral of Trento: clothes made by the workshop of Rinaldo Martini
Alice Simoncini
Shu Brocade and its Museum: The Shu Brocade and Embroidery Museum, 成都蜀 锦织绣博物馆”
Filippo Comisi
Cheong-sam. A lady’s court robe
Maria Daniela Lunghi
The Historic Banners of the Friendly Societies. Restoration Reports
Laboratorio di Restauro Tessili Antichi Abbazia “Mater Ecclesiæ”, Isola San Giulio - Orta
A further note: the restoration of the banner of the musical band of Quiesa
Simona Lombardi
My colours, my emotions and my memories. Recounting and transmitting emotions through weft and warp
Gabriella Bottaru
Sunday wood engraver and accidental weaver
Luigi Golin
The Gianoli Merchants in Milan and the Campertogno Émigrés
Flavia Fiori
The Theatrical Costumes of the Brothers Braccio and Ottaviano Compagni
Valentina Baldi
Mourning Becomes Luxury. A Method for Consolidation of a Neoclassical Gown in Tulle and Stylistic Reconstruction of Its Underdress
Giusy Cusimano
Elegance Overhead: a 19th Century Parasol
Adele Olivieri, Lucetta Lucarelli, Simona Lombardi
Textiles in Literature. Savelich and the List of the Master’s Possessions
Anna Maria Colombo
An Indo-Portuguese Quilt dating to circa 1630
Maria Daniela Lunghi e Claudia Santamaria
From embroidery to finished gown. Notes from collections designed by Franca Polacco
Irina Inguanotto
Knitwear as Design: Reconsidering the Vanguards. Personal and Teaching Experience
Silvana Musella Guida
Aemilia Ars needle lace today. Not just a pastime, but a profession
Francesca Bencivenni
Atelje 61. Woven tapestry art from Serbia
Ulrikka Mokdad
“Unusual”. Protection from the glare of the fire: the textile écrans à main
Anna Maria Colombo e Elisabetta Salzotti
“Textiles in literature”. Moll Flanders steals Holland, lace and brocade
Anna Maria Colombo
Two new reconstructions of historical gowns on show in Bergamo
Mara Bertoli
The “Pigna” velvet
Paola Marabelli
The Bonardi-Tucci Collection of Sino-Tibetan Carpets at the Museo delle Civiltà of Rome
Filippo Comisi
#Carpet#Tibet#History of Textile#19th Century#Craftsmanship#Textile Fibers#Weaving#20th century#Orientalism#Textile Collection#History#Sino-Tibetan Carpets#Museo Nazionale d'Arte Orientale#Filippo Comisi#Bonardi-Tucci Collection#Francesca Bonardi#Tibetan textile art#History of the Chinese carpet#Tibetan carpet#Jacquard87
The Museum of the Sanctuary in Savona and its textile collection displays
Magda Tassinari
In Memory of Maria Teresa Binaghi Olivari
Magda Tassinari
2015 – 2021. Diary of a “journey” for the reconstruction of fabrics destined for Dresden, the “Florence on the Elbe River”
Sabine Pretsch
La ferme: the story of an embroidery thought to be an engraving
Simona Lombardi e Martina Panuccio
The American flag, past and present
Adele Olivieri e Simona Lombardi
Parallel lives. Attiliana Argentieri between history and Fiber- Art
Pierfrancesco Busetto
Paisley fantasies on jute canvas: the art of Lucia Buono
Anna Maria Colombo
Vestments belonging to the Church of San Pietro di Rovereto (Genoa)
Alessandra Molinari
Tapestries: magnifi cent structures
Laura Bertuzzi e Simona Lombardi
Unusual painted fabrics: “succhi d’erba”
Simona Lombardi e Lucetta Lucarelli
Silvia Beccaria: weaving between the visible and invisible
Anna Maria Colombo
Painting and embroidery in liturgical vestments. Ancient skills revived in Cremona
Cardinale Giovanni Lajolo, Cristian Minuti e Tobia Beati
Chinese embroidery: schools, styles, techniques and stitches
Elettra Casarin
Venetian faschion designer Franca Polacc and her work with Elda Cecchele
Irina Inguanotto
The fan: passion and private collecting today
Simona Lombardi
Return to the future: from collecting textile to new design
Alessandra Caputo
Weaving with Cyborgs and Other Journeys, an interview with Ruth Scheuing
Julie Holyoke
Little Bags by Ornella Ottolenghi. The Discreet Allure of the Elegant Accessory
Irina Inguanotto
The Story of an Elf. Ilene Alciati, Marionette-Maker
Anna Maria Colombo
As Gentle as a Remembered Breeze. The Restoration of a 19th-Century Silk Shade
Simona Lombardi
In Memory of Doretta Davanzo Poli
Paola D'Alena
Previous reconstruction projects from antiquity. Study, research, design, creation
Paola Marabelli
#Restoration#Velvet#History of Textile#18th century#Craftsmanship#Fondazione Arte della Seta Lisio#Silk#Textile Fibers#Weaving#Vestment#Embroidery#Devotional Art#Textile Collection#History#History of a project#Drap D'Or#Historical recostruction of fabrics#Dresden#Dresden Royal Palace#Manifacture#Museum#Conservation#Paola Marabelli#Palazzo Madama#Madonna di Tirano#Cope of Saint Ubaldo#Jacquard88
1971 – 2021 The Fondazione Arte della Seta Lisio at Fifty
Paola Marabelli
Messages in Cloth. 17th- and 18th-Century Commercial Letters with Textile Swatches in the State Archives of Modena
Elisabetta Bazzani
The Collection of Henry of Bourbon-Parma, Count of Bardi (1851-1905). Chinese Textiles at the Museo delle Civiltà of Rome
Filippo Comisi
Fiamma Viva and the 1920s: Fashion and Ideological Contaminations for Young Christian Women
Raffaella Calgaro
Ribbons and Cords. The Tangled Threads of a Hybrid Technique, or Card Weaving According to Arnold Van Gennep and André Leroi-Gourhan
Flavia Carraro
Young Artists/Artisans in Their Own Words
Elena Sueri
To Doretta Davanzo Poli: A Tribute
Stefano Franzo
Val di Susa, not only high speed trains: the rediscovery of late-Antiquity and Medieval relic wrappings
Anna Maria Colombo
The depiction of textiles in the baronial hall of Manta Castle: models and execution techniques
Gian Luca Bovenzi, Bernardo Odezo Gabrieli
From Leaf Stomata to Digitally Woven Cloth
Julie Holyoke
