The two-year course "Historical Tailoring, Costume for the Performing Arts" offers complete training, structured in quarters, aimed at acquiring sartorial professionalism for measuring up to and communicating with the various professional figures of the performing arts and live shows.

Representative samples of historical Jacquard techniques such as lampas, tacqueté, samitum are observed and analyzed. The number and function of warp and wefts series are identified, weave superimposition theory introduced and the drafting of complex weave structures practiced.

Intensive theoretical/practical seminar: the weave structures studied during the textile analysis courses are woven using a range of looms and visualization methods, to promote comprehension of the connection between weave annotation, analysis and loom technology.

Practical exercises on samples of ancient fabrics and 20th-century reproductions to learn a method of analysis of simple and complex weave structures using such analysis tools as the pick glass, digital microscope and macrophotography. Students are provided with samples and lecture notes.

The course covers traditional Shibori techniques for tie-dye, stitch-dye, fold-dye, pole wrap-dye, etc. as well as three-dimensional effects, appropriate for creation of garments having great impact and artistic interest.

Practical exercises on samples of ancient fabrics and 20th-century reproductions to learn a method of analysis of simple and complex weave structures using such analysis tools as the pick glass, digital microscope and macrophotography. Students are provided with samples and lecture notes.

Individual module of "Historical Tailoring, Costume and Performing". The course aim is to illustrate not only the ways in which a decorative theme which has characterised textile production through the ages – that is, flowers and plant motifs – has assumed different meanings in different historical eras but also how taste and the idea of ‘fashion’ have evolved through the centuries. A vast iconographic repertoire of slides is projected, church vestments and paraments and textile fragments from the Fondazione Lisio historic archives are presented.

The course traces the evolution of the various types of clothing in use from ancient times through the Renaissance and focuses, besides on the stylistic peculiarities of each era, on the specific uses to which wool, leathers and silk were put and the significance acquired by each material over history.

In vista delle festività natalizie, ecco un breve corso per apprendere la tecnica del feltro ad ago utile alla creazione dei nostri regali, tutti rigorosamente fatti a mano. Una presentazione teorica introdurrà i partecipanti alla tecnica di infeltrimento ad ago della lana, per poi passare nel vivo del laboratorio utilizzando la lana nei diversi tipi e colori.

Application of integrative restoration techniques to a small fragment: replacement of broken warps, reweaving of the wefts and knotting.

Obiettivo del corso è insegnare l'arte della sartoria, guidando gli allievi a creare abiti storici attraverso lo studio della storia del costume e del taglio storico. Lezioni pratiche durante le quali gli allievi affineranno le loro conoscenze sulle tecniche sartoriali indispensabili per una corretta pratica del mestiere. Il Laboratorio è dedicato alla restituzione di due abiti scelti tra i più rappresentativi raffigurati negli affreschi con l’ Allegoria ed effetti del Buon Governo (1338-1339) di Ambrogio Lorenzetti, Siena, Palazzo Pubblico.

Application of integrative restoration techniques to a small fragment: replacement of broken warps and reweaving in colour and in selected areas.

Il Regolamento si applica in toto da maggio 2018 a tutte le organizzazioni, pubbliche e private con lo scopo di tutelare uniformemente i dati personali trattati all’interno dell’Unione. La Fondazione Arte della Seta Lisio eroga due tipologie di percorsi di formazione.

Recognition of one-dimensional stitches in a continuous direction (running stitches) and back stitches; two-dimensional stitches, combined stitches; stitches creating fabrics; stitches for embroidering with sequins, beads and other materials.

Individual module of "Historical Tailoring, Costume and Performing". The course aim is to illustrate not only the ways in which a decorative theme which has characterised textile production through the ages – that is, flowers and plant motifs – has assumed different meanings in different historical eras but also how taste and the idea of ‘fashion’ have evolved through the centuries. A vast iconographic repertoire of slides is projected, church vestments and paraments and textile fragments from the Fondazione Lisio historic archives are presented.

The course traces the evolution of the various types of clothing in use from ancient times through the Renaissance and focuses, besides on the stylistic peculiarities of each era, on the specific uses to which wool, leathers and silk were put and the significance acquired by each material over history.

The lessons review the techniques and styles typical of several regions of Italy - Tuscany, Lombardy, Umbria, Sicily, Sardinia - from the thread to the finished fabric.

Introduction to tapestry conservation and basic notions of restoration.

Advanced level: each student designs a small carpet, draws the cartoon, and then handweaves his/her work.

A basic course for learning the embroidery technique known as ‘punto Bargello’ or ‘flame stitch’. This eminently Florentine counted-thread technique, whose origins lie in the far-off 15th century, calls for upright flat stitches laid in an opportune mix of colour to create particular three-dimensional effects.

Advanced level: each student designs a small tapestry, draws the cartoon, and then handweaves his/her work.

The course offers to the students tools to be able to recognize, analyze and describe laces, by observation of objects in various states of conservation, antique and contemporary. Teacher: Thessy Schoenholzer Nichols

The aim of the course is to offer tools to recognize, analyze and describe laces, through the observation of objects in various states of conservation, both ancient and contemporary. Teacher: Thessy Schoenholzer Nichols

Notions of history, use and technique relating to carpet-making. Course I: Basic level

Notions of history, use and technique relating to tapestry-making.

Introduction to rug and carpet conservation: basic notions concerning cleaning and correct maintenance.

Bando per corso gratuito di Qualifica Professionale per ADDETTO ALLA LAVORAZIONE TESSILE specializzato nel controllo Qualità. Durata corso: 900 ORE (di cui 470 ore di aula, 400 di STAGE, 30 di orientamento) per n.12 allievi. Scadenza domande 21 giugno 2019.

A practical first-level course for learning the ancient art of gold embroidery, for creating jewels with needle and thread.

Corso gratuito di Istruzione e Formazione Tecnica Superiore (IFTS) di 800 ore (di cui 530 ore di aula, 240 di stage e 30 ore accompagnamento) per 20 allievi. Bando approvato dalla Regione Toscana con decreto D.D. n. 11219 del 25/07/2017 Graduatoria approvata con decreto n.3672 del 20/02/2018. Codice progetto: 193535

A practical first-level course for learning the ancient art of gold embroidery, for creating jewels with needle and thread.

Basic course to learn Stumpwork embroidery: to work padding, applied fabrics (appliqué) and needlelace, as well as a few raised and surface embroidery stitches.