Articles
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A textile monument created for Augustus the Strong, the “Sun King of Saxony”, returns to the Dresden Royal Palace (Residenzschloss)
Sabine Schneider
10€
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Technical aspects for the reconstruction of a hand-woven silk velvet and cloth of gold
Eva Basile
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A ‘Lion’ in Legnano. A Rare Example of a Lisio Fabric at the Palio
Alessio Francesco Palmieri-Marinoni
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The ‘Leoni’ Velvet
Paola Marabelli
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Conserving the Ephemeral. Restoration of a 19th-Century Theatrical Crown
Lucia Miazzo
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Orientalism and Fashion in the Empire Period: an embroidered scarf from Genoa’s Textile Collections
Loredana Pessa e Claudia Santamaria
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Eighteenth-Century Sicilian Fans. The Duke of Cesarò’s Unpublished Inventory of 1740
Elvira D'Amico
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Teaching Activities at the Opificio delle Pietre Dure: Restoration of Three Fondazione Arte della Seta Lisio Fabrics on Cardboard Backings
Sara Bonadio, Elena Gualandris, Jasmine Sartor, Elisa Zonta
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A Life Woven of Multicoloured Threads: Angela Giordano’s Fifty Years of Successes
Sofia Brezzi
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‘Young Artists/Artisans in Their Own Words’
Lisa Fontana
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La Fondazione Lisio
Fidalma Lisio
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La seta «dei grifoni araldici»
Laura D'Adamo
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I tessili dell’avvenire
Aurora Fiorentini
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Dall’utile al dilettevole. Abiti da lavoro divenuti capi di moda
Roberto Bonito Fanelli
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Falsi merletti della fine del secolo XVIII
Thessy Schoenholzer Nichols
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Costumi teatrali progettati all’Istituto Statale d’Arte “G. Chierici” di Reggio Emilia
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Un corso nuovo per una professione nuova
Thessy Schoenholzer Nichols
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Tessuti tinti a riserva dell’Egitto romano e bizantino
Roberta Cortopassi
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La tessitura a Bolandu e a Shahr-i Sokhta: il presente e il passato dell’Iran
Francesca Gandolfo
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Un damasco mediceo
Mary Westerman Bulgarella
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Oggetti siciliani lavorati a maglia del periodo neoclassico
Elvira D’Amico
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Mario Puliti e il laboratorio di tessitura dell’Istituto Statale d’Arte di Firenze
Annarita Caputo
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Buratti frangiati bianco-rossi nei corredi della Carnia
Maria Mansi
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Dal tessuto di moda al pamento liturgico
Carla Cavelli Traverso
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Fatti di politica e di moda nel “Giornale dei sarti” e nel “Corriere delle dame”
Stefano Franzo
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Conferenza alle ex alunne del Sacro Cuore
Fidalma Lisio
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Melchion Briosco ricamatore milanese
Bice Diana Montalto
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Il bisso marino: alla ricerca di un materiale perduto
Felicitas Maeder e Marcel Halbeisen
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La collaborazione di Elda Cecchele con Salvatore Ferragamo 1954-1956
Irina Inguanotto
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The last known industrial village: the Lisio silkmill at Ponte Ema
Cristiana Torti
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Il simulacro della Madonna di Cireggio (Verbania)
Laboratorio di Restauro Tessili Antichi dell’Abbazia Benedettina “Mater Ecclesiæ” dell’Isola San Giulio a Orta
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La Contrada Sovrana dell’Istrice e l’Arte della Seta Lisio. Una collaborazione dal 1927
Paola Marabelli
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Vite parallele. Attiliana Argentieri tra storia e Fiber-art
Pierfrancesco Busetto
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Pittura e cesello ad ago. Antiche arti eternamente nuove
Cristian Minuti
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Embroideries from the Land of Roses. Bulgarian Fabrics and Embroideries in a Private Collection in Genoa
Maria Daniela Lungh
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The ‘Mediceo’ Velvet
Paola Marabelli
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‘Medicea’ – A Dress for Fondazione Lisio
Sara Paci Piccolo
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Pack Your Trunks – We’re Off!
Simona Lombardi e Lucetta Lucarelli
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"Textiles in Literature" - Sailcloth on Board the Florence
Anna Maria Colombo
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‘Implosive’ and ‘Explosive’ Models for an Analysis of the Work of Anita Pittoni. Part II. The ‘Explosive’ Models, a Rereading of the Futurist and Constructivist Influences in the Work of Anita Pittoni
Paola Giuntoli
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Flemish-Iberian Weaving. 15th- and 16th-Century Painted Velvets in Sardinia, the Iberian Peninsula and Flanders
Clara Carta
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An Elegant 19th-Century Chapel and its Textiles
Anna Maria Colombo
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Solace: Devotional Images in Oleographic Print Fabrics
Simona Lombardi
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A World on Their Shoulders . . . and Heads!
Simona Lombardi
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Maria Lai. Interweavings of Threads and Stories
Ilenia Vecchio
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‘In the Artist’s Words’ - ‘Emotional’ Sculptures in Felt
Sanja Spasic
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The 1831 Canuts Revolt in Lyon. The Art of Silk Weaving, the Workers’ Movement and Representation of Labour
Sandro Scarrocchia
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The Robes of the Unknown Confraternity of the Madonna of the Rosary of the Church of Santa Caterina in Palermo
Elvira D’Amico
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‘Implosive’ and ‘Explosive’ Models for an Analysis of the Work of Anita Pittoni. Part I. The ‘Implosive’ Models
Paola Giuntoli
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Conversation on San Giulio Island – Lake Orta: Miao Textiles and Clothing
Flavia Fiori
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The Annunciation: Iconography of a ‘Succo d’Erba’
Simona Lombardi
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Mauro Molinari. Orditi & Trame. Warps & Wefts in ‘Paper Fabrics’
Paola Marabelli
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The Textile Section of the Museum of Commodities Sciences of the La Sapienza University of Rome
Malgorzata Biniecka, Patrizia Falconi, Raffaella Preti
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The Tapestries for the XI Milan Triennale (1957). The Best Years of the Manufactory of Esino Lario
Maria Taboga
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Study and Restoration of the Wig of a ‘Dressed Mannequin’
Giusy Cusimano
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Disciplina tua, ipsa me docebit. The Compagnia di San Benedetto Bianco in Florence
Simona Lombardi
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Through Others’ Eyes. When Fashion Turns Ridiculous
Anna Maria Colombo
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Ties by Arte della Seta Lisio
Paola Marabelli
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Benozzo Gozzoli and Florentine Silk Production in the Second Half of the Fifteenth Century
Cristina Borgioli
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Lyon-Florence. Silk Production by the ‘Manufacture Peyron’ for the Royal Court at Palazzo Pitti
Gioele Tinnirello
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The Opulent Mantle Donated by the People of Valtellina to the Madonna of Tirano
Gianluigi Garbellini
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Painting and Chasing with Needle and Thread. Ancient arts, eternally new
Cristian Minuti
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The Art of Embroidery at the Service of the Virgin Mary
M. Anna Maria Cànopi osb
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On writing: the penwiper, an everyday object
Simona Lombardi e Lucetta Lucarell
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TessArt’è: Two Years of Intense, Absorbing Work. The project, the training course and the itinerant exhibition
Erika D’Arcangelo
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Marjolein Dallinga’s Sculptures in Felt. The Museo del Tessuto di Prato celebrates contemporary art
Ilenia Vecchio
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Weaving Words. A new artwork by Silvia Beccaria
Camilla Merletti e Anna Maria Colombo
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Research goes on. Experimenting with forms, colours and pleasure
Maria Luisa Malerba
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Archaeological textiles: knowledge and knowhow. An ethnographic exploration of a high-density nano world
Flavia Carraro
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The striped fabric of Jacopone da Todi: cloth of the Devil or cloth of Christ?
Luciano Ghersi
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The Our Lady of Sorrows in the Cathedral of Trento: clothes made by the workshop of Rinaldo Martini
Alice Simoncini
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Shu Brocade and its Museum: The Shu Brocade and Embroidery Museum, 成都蜀 锦织绣博物馆”
Filippo Comisi
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Cheong-sam. A lady’s court robe
Maria Daniela Lunghi
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The Historic Banners of the Friendly Societies. Restoration Reports
Laboratorio di Restauro Tessili Antichi Abbazia “Mater Ecclesiæ”, Isola San Giulio - Orta
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A further note: the restoration of the banner of the musical band of Quiesa
Simona Lombardi
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My colours, my emotions and my memories. Recounting and transmitting emotions through weft and warp
Gabriella Bottaru
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Sunday wood engraver and accidental weaver
Luigi Golin
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The Gianoli Merchants in Milan and the Campertogno Émigrés
Flavia Fiori
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The Theatrical Costumes of the Brothers Braccio and Ottaviano Compagni
Valentina Baldi
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Mourning Becomes Luxury. A Method for Consolidation of a Neoclassical Gown in Tulle and Stylistic Reconstruction of Its Underdress
Giusy Cusimano
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Elegance Overhead: a 19th Century Parasol
Adele Olivieri, Lucetta Lucarelli, Simona Lombardi
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Textiles in Literature. Savelich and the List of the Master’s Possessions
Anna Maria Colombo
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An Indo-Portuguese Quilt dating to circa 1630
Maria Daniela Lunghi e Claudia Santamaria
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From embroidery to finished gown. Notes from collections designed by Franca Polacco
Irina Inguanotto
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Knitwear as Design: Reconsidering the Vanguards. Personal and Teaching Experience
Silvana Musella Guida
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Aemilia Ars needle lace today. Not just a pastime, but a profession
Francesca Bencivenni
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Atelje 61. Woven tapestry art from Serbia
Ulrikka Mokdad
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“Unusual”. Protection from the glare of the fire: the textile écrans à main
Anna Maria Colombo e Elisabetta Salzotti
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“Textiles in literature”. Moll Flanders steals Holland, lace and brocade
Anna Maria Colombo
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Two new reconstructions of historical gowns on show in Bergamo
Mara Bertoli
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The “Pigna” velvet
Paola Marabelli
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The Bonardi-Tucci Collection of Sino-Tibetan Carpets at the Museo delle Civiltà of Rome
Filippo Comisi
#Carpet#Tibet#History of Textile#19th Century#Craftsmanship#Textile Fibers#Weaving#20th century#Orientalism#Textile Collection#History#Sino-Tibetan Carpets#Museo Nazionale d'Arte Orientale#Filippo Comisi#Bonardi-Tucci Collection#Francesca Bonardi#Tibetan textile art#History of the Chinese carpet#Tibetan carpet#Jacquard87
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The Museum of the Sanctuary in Savona and its textile collection displays
Magda Tassinari
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In Memory of Maria Teresa Binaghi Olivari
Magda Tassinari
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2015 – 2021. Diary of a “journey” for the reconstruction of fabrics destined for Dresden, the “Florence on the Elbe River”
Sabine Pretsch
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La ferme: the story of an embroidery thought to be an engraving
Simona Lombardi e Martina Panuccio
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The American flag, past and present
Adele Olivieri e Simona Lombardi
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Parallel lives. Attiliana Argentieri between history and Fiber- Art
Pierfrancesco Busetto
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Paisley fantasies on jute canvas: the art of Lucia Buono
Anna Maria Colombo
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Vestments belonging to the Church of San Pietro di Rovereto (Genoa)
Alessandra Molinari
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Tapestries: magnifi cent structures
Laura Bertuzzi e Simona Lombardi
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Unusual painted fabrics: “succhi d’erba”
Simona Lombardi e Lucetta Lucarelli
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Silvia Beccaria: weaving between the visible and invisible
Anna Maria Colombo
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Painting and embroidery in liturgical vestments. Ancient skills revived in Cremona
Cardinale Giovanni Lajolo, Cristian Minuti e Tobia Beati
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Chinese embroidery: schools, styles, techniques and stitches
Elettra Casarin
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Venetian faschion designer Franca Polacc and her work with Elda Cecchele
Irina Inguanotto
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The fan: passion and private collecting today
Simona Lombardi
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Return to the future: from collecting textile to new design
Alessandra Caputo
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Weaving with Cyborgs and Other Journeys, an interview with Ruth Scheuing
Julie Holyoke
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Little Bags by Ornella Ottolenghi. The Discreet Allure of the Elegant Accessory
Irina Inguanotto
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The Story of an Elf. Ilene Alciati, Marionette-Maker
Anna Maria Colombo
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As Gentle as a Remembered Breeze. The Restoration of a 19th-Century Silk Shade
Simona Lombardi
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In Memory of Doretta Davanzo Poli
Paola D'Alena
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Previous reconstruction projects from antiquity. Study, research, design, creation
Paola Marabelli
#Restoration#Velvet#History of Textile#18th century#Craftsmanship#Fondazione Arte della Seta Lisio#Silk#Textile Fibers#Weaving#Vestment#Embroidery#Devotional Art#Textile Collection#History#History of a project#Drap D'Or#Historical recostruction of fabrics#Dresden#Dresden Royal Palace#Manifacture#Museum#Conservation#Paola Marabelli#Palazzo Madama#Madonna di Tirano#Cope of Saint Ubaldo#Jacquard88
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1971 – 2021 The Fondazione Arte della Seta Lisio at Fifty
Paola Marabelli
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Messages in Cloth. 17th- and 18th-Century Commercial Letters with Textile Swatches in the State Archives of Modena
Elisabetta Bazzani
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The Collection of Henry of Bourbon-Parma, Count of Bardi (1851-1905). Chinese Textiles at the Museo delle Civiltà of Rome
Filippo Comisi
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Fiamma Viva and the 1920s: Fashion and Ideological Contaminations for Young Christian Women
Raffaella Calgaro
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Ribbons and Cords. The Tangled Threads of a Hybrid Technique, or Card Weaving According to Arnold Van Gennep and André Leroi-Gourhan
Flavia Carraro
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Young Artists/Artisans in Their Own Words
Elena Sueri
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To Doretta Davanzo Poli: A Tribute
Stefano Franzo
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Val di Susa, not only high speed trains: the rediscovery of late-Antiquity and Medieval relic wrappings
Anna Maria Colombo
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The depiction of textiles in the baronial hall of Manta Castle: models and execution techniques
Gian Luca Bovenzi, Bernardo Odezo Gabrieli
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From Leaf Stomata to Digitally Woven Cloth
Julie Holyoke
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Clothes, fabric and colours in Lucrezia Borgia d’Este’s wardrobe
Elisabetta Bazzani
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The fifteenth century in Valseriana. The figures in the sacred and profane repertory of Borlone’s frescoes
Patrizia Iorio
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Clothes, fabric and colours in Lucrezia Borgia d’Este’s wardrobe
Elisabetta Bazzani
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The fifteenth century in Valseriana. The figures in the sacred and profane repertory of Borlone’s frescoes
Patrizia Iorio
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Giacomo Borlone de’ Buschis. A preliminary consideration on fashion in late 15th century Valseriana
Alessio Francesco Palmieri-Marinoni
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Giacomo Borlone de’ Buschis. A preliminary consideration on fashion in late 15th century Valseriana
Alessio Francesco Palmieri-Marinoni
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Reweaving the “Lorenzetti” fabric and the new costume for the Captain of the People in Orvieto
Paola Marabelli
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The restoration of the processional banner of the Blessed Sacrament of Moie (Ancona)
Simona Lombardi, Adele Olivieri e Melissa Ceriachi