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The Palio of the Sienese

Fabiana Bari

A ‘Lion’ in Legnano. A Rare Example of a Lisio Fabric at the Palio

Alessio Francesco Palmieri-Marinoni

Fiamma Viva and the 1920s: Faschion an Ideological Contaminations for Young Christian Women

Raffaella Calgaro

The ‘Leoni’ Velvet

Paola Marabelli

Conserving the Ephemeral. Restoration of a 19th-Century Theatrical Crown

Lucia Miazzo

Orientalism and Fashion in the Empire Period: an embroidered scarf from Genoa’s Textile Collections

Loredana Pessa e Claudia Santamaria

Eighteenth-Century Sicilian Fans. The Duke of Cesarò’s Unpublished Inventory of 1740

Elvira D'Amico

Teaching Activities at the Opificio delle Pietre Dure: Restoration of Three Fondazione Arte della Seta Lisio Fabrics on Cardboard Backings

Sara Bonadio, Elena Gualandris, Jasmine Sartor, Elisa Zonta

A Life Woven of Multicoloured Threads: Angela Giordano’s Fifty Years of Successes

Sofia Brezzi

‘Young Artists/Artisans in Their Own Words’

Lisa Fontana

La seta «dei grifoni araldici»

Laura D'Adamo

I tessili dell’avvenire

Aurora Fiorentini

Dall’utile al dilettevole. Abiti da lavoro divenuti capi di moda

Roberto Bonito Fanelli

Falsi merletti della fine del secolo XVIII

Thessy Schoenholzer Nichols

Costumi teatrali progettati all’Istituto Statale d’Arte “G. Chierici” di Reggio Emilia

Un corso nuovo per una professione nuova

Thessy Schoenholzer Nichols

Tessuti tinti a riserva dell’Egitto romano e bizantino

Roberta Cortopassi

La tessitura a Bolandu e a Shahr-i Sokhta: il presente e il passato dell’Iran

Francesca Gandolfo

Un damasco mediceo

Mary Westerman Bulgarella

Oggetti siciliani lavorati a maglia del periodo neoclassico

Elvira D’Amico

Mario Puliti e il laboratorio di tessitura dell’Istituto Statale d’Arte di Firenze

Annarita Caputo

Buratti frangiati bianco-rossi nei corredi della Carnia

Maria Mansi

Dal tessuto di moda al pamento liturgico

Carla Cavelli Traverso

Fatti di politica e di moda nel “Giornale dei sarti” e nel “Corriere delle dame”

Stefano Franzo

Conferenza alle ex alunne del Sacro Cuore

Fidalma Lisio

Melchion Briosco ricamatore milanese

Bice Diana Montalto

Il bisso marino: alla ricerca di un materiale perduto

Felicitas Maeder e Marcel Halbeisen

La collaborazione di Elda Cecchele con Salvatore Ferragamo 1954-1956

Irina Inguanotto

The last known industrial village: the Lisio silkmill at Ponte Ema

Cristiana Torti

Il simulacro della Madonna di Cireggio (Verbania)

Laboratorio di Restauro Tessili Antichi dell’Abbazia Benedettina “Mater Ecclesiæ” dell’Isola San Giulio a Orta

Quando la texture è arte

Renata Pompas

La Contrada Sovrana dell’Istrice e l’Arte della Seta Lisio. Una collaborazione dal 1927

Paola Marabelli

Gli scapin tra arte e folk

Anna Maria Colombo

Vite parallele. Attiliana Argentieri tra storia e Fiber-art

Pierfrancesco Busetto

Pittura e cesello ad ago. Antiche arti eternamente nuove

Cristian Minuti

Embroideries from the Land of Roses. Bulgarian Fabrics and Embroideries in a Private Collection in Genoa

Maria Daniela Lungh

Young Fiber Artists in Their Own Words

Carole Peia

Pack Your Trunks – We’re Off!

Simona Lombardi e Lucetta Lucarelli

"Textiles in Literature" - Sailcloth on Board the Florence

Anna Maria Colombo

‘Implosive’ and ‘Explosive’ Models for an Analysis of the Work of Anita Pittoni. Part II. The ‘Explosive’ Models, a Rereading of the Futurist and Constructivist Influences in the Work of Anita Pittoni

Paola Giuntoli

Flemish-Iberian Weaving. 15th- and 16th-Century Painted Velvets in Sardinia, the Iberian Peninsula and Flanders

Clara Carta

An Elegant 19th-Century Chapel and its Textiles

Anna Maria Colombo

Solace: Devotional Images in Oleographic Print Fabrics

Simona Lombardi

A World on Their Shoulders . . . and Heads!

Simona Lombardi

Maria Lai. Interweavings of Threads and Stories

Ilenia Vecchio

‘In the Artist’s Words’ - ‘Emotional’ Sculptures in Felt

Sanja Spasic

The 1831 Canuts Revolt in Lyon. The Art of Silk Weaving, the Workers’ Movement and Representation of Labour

Sandro Scarrocchia

A Jesurum Lace Tablecloth

Filippo Comisi

The Robes of the Unknown Confraternity of the Madonna of the Rosary of the Church of Santa Caterina in Palermo

Elvira D’Amico

‘Implosive’ and ‘Explosive’ Models for an Analysis of the Work of Anita Pittoni. Part I. The ‘Implosive’ Models

Paola Giuntoli

Conversation on San Giulio Island – Lake Orta: Miao Textiles and Clothing

Flavia Fiori

The Annunciation: Iconography of a ‘Succo d’Erba’

Simona Lombardi

Mauro Molinari. Orditi & Trame. Warps & Wefts in ‘Paper Fabrics’

Paola Marabelli

The Textile Section of the Museum of Commodities Sciences of the La Sapienza University of Rome

Malgorzata Biniecka, Patrizia Falconi, Raffaella Preti

The Tapestries for the XI Milan Triennale (1957). The Best Years of the Manufactory of Esino Lario

Maria Taboga

Study and Restoration of the Wig of a ‘Dressed Mannequin’

Giusy Cusimano

Disciplina tua, ipsa me docebit. The Compagnia di San Benedetto Bianco in Florence

Simona Lombardi

Through Others’ Eyes. When Fashion Turns Ridiculous

Anna Maria Colombo

Benozzo Gozzoli and Florentine Silk Production in the Second Half of the Fifteenth Century

Cristina Borgioli

Lyon-Florence. Silk Production by the ‘Manufacture Peyron’ for the Royal Court at Palazzo Pitti

Gioele Tinnirello

The Opulent Mantle Donated by the People of Valtellina to the Madonna of Tirano

Gianluigi Garbellini

Painting and Chasing with Needle and Thread. Ancient arts, eternally new

Cristian Minuti

The Art of Embroidery at the Service of the Virgin Mary

M. Anna Maria Cànopi osb

On writing: the penwiper, an everyday object

Simona Lombardi e Lucetta Lucarell

TessArt’è: Two Years of Intense, Absorbing Work. The project, the training course and the itinerant exhibition

Erika D’Arcangelo

Marjolein Dallinga’s Sculptures in Felt. The Museo del Tessuto di Prato celebrates contemporary art

Ilenia Vecchio

Weaving Words. A new artwork by Silvia Beccaria

Camilla Merletti e Anna Maria Colombo

Research goes on. Experimenting with forms, colours and pleasure

Maria Luisa Malerba

Archaeological textiles: knowledge and knowhow. An ethnographic exploration of a high-density nano world

Flavia Carraro

The striped fabric of Jacopone da Todi: cloth of the Devil or cloth of Christ?

Luciano Ghersi

The Our Lady of Sorrows in the Cathedral of Trento: clothes made by the workshop of Rinaldo Martini

Alice Simoncini

Shu Brocade and its Museum: The Shu Brocade and Embroidery Museum, 成都蜀 锦织绣博物馆”

Filippo Comisi

Cheong-sam. A lady’s court robe

Maria Daniela Lunghi

The Banners of the Friendly Societies. Meaning and symbolism

Mariella Zanetta

The Historic Banners of the Friendly Societies. Restoration Reports

Laboratorio di Restauro Tessili Antichi Abbazia “Mater Ecclesiæ”, Isola San Giulio - Orta

A further note: the restoration of the banner of the musical band of Quiesa

Simona Lombardi

My colours, my emotions and my memories. Recounting and transmitting emotions through weft and warp

Gabriella Bottaru

Sunday wood engraver and accidental weaver

Luigi Golin

The Dyestuffs of Chinese Textiles

Filippo Comisi

The Dyestuffs of Tibetan Textiles

Filippo Comisi

The Gianoli Merchants in Milan and the Campertogno Émigrés

Flavia Fiori

The Theatrical Costumes of the Brothers Braccio and Ottaviano Compagni

Valentina Baldi

Mourning Becomes Luxury. A Method for Consolidation of a Neoclassical Gown in Tulle and Stylistic Reconstruction of Its Underdress

Giusy Cusimano

Elegance Overhead: a 19th Century Parasol

Adele Olivieri, Lucetta Lucarelli, Simona Lombardi

Textiles in Literature. Savelich and the List of the Master’s Possessions

Anna Maria Colombo

‘Leftover’ Art: the Fuxico Flowers

Stefanella Sposito

An Indo-Portuguese Quilt dating to circa 1630

Maria Daniela Lunghi e Claudia Santamaria

From embroidery to finished gown. Notes from collections designed by Franca Polacco

Irina Inguanotto

Knitwear as Design: Reconsidering the Vanguards. Personal and Teaching Experience

Silvana Musella Guida

Aemilia Ars needle lace today. Not just a pastime, but a profession

Francesca Bencivenni

Atelje 61. Woven tapestry art from Serbia

Ulrikka Mokdad

“Unusual”. Protection from the glare of the fire: the textile écrans à main

Anna Maria Colombo e Elisabetta Salzotti

“Textiles in literature”. Moll Flanders steals Holland, lace and brocade

Anna Maria Colombo

Two new reconstructions of historical gowns on show in Bergamo

Mara Bertoli

The Museum of the Sanctuary in Savona and its textile collection displays

Magda Tassinari

To Doretta Davanzo Poli: A Tribute

Stefano Franzo

The collection of Henry of Bourbon-Parma, Count of Bardi 81851-1906). Chinese textiles at the Museo delle Civiltà of Rome

Filippo Comisi

The history of Tibetan carpets

Filippo Comisi

Aemilia Ars needle lace

Francesca Bencivenni

La ferme: the story of an embroidery thought to be an engraving

Simona Lombardi e Martina Panuccio

The American flag, past and present

Adele Olivieri e Simona Lombardi

Parallel lives. Attiliana Argentieri between history and Fiber- Art

Pierfrancesco Busetto

Paisley fantasies on jute canvas: the art of Lucia Buono

Anna Maria Colombo

“Unusual”. Dresses with tales to tell

Anna Maria Colombo

Vestments belonging to the Church of San Pietro di Rovereto (Genoa)

Alessandra Molinari

A history of Chinese carpets

Filippo Comisi

Scapin: folk art for feet

Anna Maria Colombo

Tapestries: magnifi cent structures

Laura Bertuzzi e Simona Lombardi

Unusual painted fabrics: “succhi d’erba”

Simona Lombardi e Lucetta Lucarelli

“Decorum”

Marina Giordano

Silvia Beccaria: weaving between the visible and invisible

Anna Maria Colombo

Starting again from sacred art

Giancarlo Polenghi

Painting and embroidery in liturgical vestments. Ancient skills revived in Cremona

Cardinale Giovanni Lajolo, Cristian Minuti e Tobia Beati

Chinese embroidery: schools, styles, techniques and stitches

Elettra Casarin

Venetian faschion designer Franca Polacc and her work with Elda Cecchele

Irina Inguanotto

The toque, a saucy bonnet

Anna Maria Colombo

The fan: passion and private collecting today

Simona Lombardi

Return to the future: from collecting textile to new design

Alessandra Caputo

Weaving with Cyborgs and Other Journeys, an interview with Ruth Scheuing

Julie Holyoke

Tapestries in the Palazzi

Eva Basile

Designing Figured Textile Today

Julie Holyoke

"Unusual". Art Nest

Anna Maria Colombo

Ribbons and Strings. The Tangled Threads of a Hybrid Technique, or Card Weaving, According to Arnold Van Gennep e André Leroi-Gourhan

Flavia Carraro

"Young Artists/Artisans in Their Own Words"

Elena Sueri

Jacquard Weaving in Florence: Inspired by Nature. An Artistic Exploration on a Historical Jacquard Loom

Barbara Jansen

In Memory of Doretta Davanzo Poli

Paola D'Alena